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by Damon Martin

“The important thing is not to stop questioning. Curiosity has its own reason for existing.”
~ Albert Einstein

Curiosity and a search for our origin is the heart of the new Ridley Scott film Prometheus which opens in theaters on today. In many ways the film was engineered as a moderate prequel to the popular Alien franchise, also launched by Scott some thirty-plus years ago.

Following the discovery of some ancient cave paintings that show early man pointing towards the a group of planets, scientists on Earth realize that these same images show up over and over again in different relics all over the world in civilizations that never, ever touched one another.

It’s with the premise of discovering where humanity started that the starship Prometheus is launched to try and find these planets, and possibly the origin of our species.

Archaeologists Charlie Holloway (Logan Marshall-Green) and his girlfriend Elizabeth Shaw (Noomi Rapace) are on the hunt for how humanity was born. Was it all spawned from some ancient alien race from another world that brought life to Earth?

As they land on a desolate moon that looks similar to Earth, the crew of the Prometheus soon discover a vast pyramid that houses perfectly breathable oxygen and the remains of an alien race whose DNA matches perfectly that of humans.

Without giving away too much plot at this point, it’s clear to see that there is something amiss with this planet and the species that once inhabited it, and needless to say all hell breaks loose shortly thereafter.

Prometheus plays on the very old idea that curiosity sometimes kills the cat, and the crew of this ship is definitely a little too curious for their own good. The leader of the ship played by Charlize Theron is a cold detached bureaucrat sent into space to guide this crew of scientists on their mission to find out where life first started.

But the real star of the film is Michael Fassbender, who plays the ship’s resident android named David. Like the other films in the Alien franchise where actors like Lance Henricksen and Iam Holm stole the show as robots who come to life, it’s no different with Fassbender who is simply brilliant in this movie. A secret motive behind every action, Fassbender is calculating and cold with his actions, but creepy and sly with his familiar smile.

The biggest problem with Prometheus is the fact that the film pulls the audience in too many different directions with plotlines that head in numerous directions. Throughout the 2-hour affair, there are several references to the Alien franchise, which call out to the idea that this really is a prequel to the popular science fiction series.

But what Prometheus also attempts to do is pull the story in a whole new direction with the questions about the origin of our species and where we all came from. It almost seems like too much by the time the film comes to an end, and you are left wondering which storyline you were supposed to care about more.

While the acting in Prometheus was largely very well done, the lead actress in the film, Noomi Rapace, fails to show the same kind of strong female character that Sigourney Weaver did in the original series of Alien films. It may not be fair to compare anyone to what Weaver was able to do with her character of Ellen Ripley, but Ridley Scott has made strong, female characters a centerpiece of these series of films and Rapace fails to repeat even a small part of Weaver’s powerful presence.

On its own, Prometheus is a solid film worth seeing, but ultimately when it was over the biggest feeling I was left with wasn’t about a sequel for this movie (which will inevitably happen), I just wanted to go home and watch the 1979 Alien classic. 


by Steven-Elliot Altman (SG Member: Steven_Altman)

Our Fiction Friday serialized novel, The Killswitch Review, is a futuristic murder mystery with killer sociopolitical commentary (and some of the best sex scenes we’ve ever read!). Written by bestselling sci-fi author Steven-Elliot Altman (with Diane DeKelb-Rittenhouse), it offers a terrifying postmodern vision in the tradition of Blade Runner and Brave New World…

By the year 2156, stem cell therapy has triumphed over aging and disease, extending the human lifespan indefinitely. But only for those who have achieved Conscientious Citizen Status. To combat overpopulation, the U.S. has sealed its borders, instituted compulsory contraception and a strict one child per couple policy for those who are permitted to breed, and made technology-assisted suicide readily available. But in a world where the old can remain vital forever, America’s youth have little hope of prosperity.

Jason Haggerty is an investigator for Black Buttons Inc, the government agency responsible for dispensing personal handheld Kevorkian devices, which afford the only legal form of suicide. An armed “Killswitch” monitors and records a citizen’s final moments — up to the point where they press a button and peacefully die. Post-press review agents — “button collectors” — are dispatched to review and judge these final recordings to rule out foul play.

When three teens stage an illegal public suicide, Haggerty suspects their deaths may have been murders. Now his race is on to uncover proof and prevent a nationwide epidemic of copycat suicides. Trouble is, for the first time in history, an entire generation might just decide they’re better off dead.

(Catch up with the previous installments of Killswitch – see links below – then read the finale after the jump…)

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by Daniel Robert Epstein

“It’s like being a kid in the playground…There’s a reason why people become actors.”
– Tim Roth

The great thing about Tim Roth is that he immediately puts you at ease by seeming like he doesn’’t give a shit what questions you ask him. Other journalists at the Dark Water press event were lobbing some of the dumbest crap I ever heard at him and even though there 25 people in the room he answered them as though each one was the only person in the room. In Dark Water, Roth plays a lawyer who is helping Jennifer Connelly through a tough divorce and then tries to help her with this strange situation that is happening in her apartment building.

Read our exclusive interview with Tim Roth on SuicideGirls.com.

Renesme Suicide in One Night Stand

• MAKES ME HAPPY: The beach 🙂
• MAKES ME SAD: Stupid people.
• HOBBIES: I love making things (so any kind of crafts), surfing, going to the gym, swimming, anything outside.
• 5 THINGS I CAN’T LIVE WITHOUT: Cell phone, my best friend, Dr. Pepper, chocolate, sour cream, and Onion Pringles!!
• I SPEND MOST OF MY FREE TIME: At work, with my boyfriend, doing homework, with my best friend, and/or naked.

Get to know Renesme better over at SuicideGirls.com!

by Blogbot

This Sunday, June 10th at 10 PM PST, SuicideGirls Radio host Nicole Powers and co-host Moxi Suicide will be joined in studio by Jessie Nicole, Michelle, and Vanessa from LA’s Sex Workers Outreach Project for a panel discussion about the unique issues their clients face.

Sex Workers Outreach Project is a social justice network dedicated to ending violence and stigma against sex workers through education and advocacy. SWOP works to create a strong community of sex workers and allies to support each other and educate the public on the institutional harms committed against sex workers.

Sex workers are seldom afforded protection or recourse from violence because of the precarious relationship between sex work and law enforcement. Violence against sex workers is tolerated because of the stigma and myths that surround the sex industry. Only when those falsehoods are corrected and sex workers are legitimized will we be able to effectively prevent and minimize the harsh challenges of sex work.

For more info on SWOP-LA visit: swoplosangeles.org/

Listen to SG Radio live Sunday night from 10 PM til Midnight PST at: suicidegirlsradio.indie1031.com/

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by Blogbot

This past weekend, aficionados of the Lolita look gathered in New York’s Central Park for a Tea Party in honor of International Lolita Day. Taking place but a stone’s throw away from the park’s larger than life Alice In Wonderland bronze tableau, the affair had a distinct down-the-rabbit-hole air.

When not preoccupied by his pocket watch, the Mad Hatter strummed a guitar, as attendees indulged in sweet treats worthy of the Queen of Hearts herself while elegantly perched on picnic blankets beneath trees in a shaded grove near Belvedere Castle. Though, had the fowl-mouthed monarch from the Lewis Carroll tale been in attendance, she’d likely have disapproved of the fact that her beloved game of croquet was being played with mallets rather than livestock.

International Lolita Day is a curiosity that pays homage to a fashion that emerged out of Japan, which is heavily influenced by clothing from the Victorian era and art in the Rococo style. The idea for the biannual celebration, which occurs on the first Saturdays of June and December so that both Summer and Winter fashions can be displayed, was first floated by the EGL Community on LiveJournal, and is now celebrated in numerous cities around the world.

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