by Darrah de jour
On Saturday night, the bold and the brightest came out (both literally and figuratively) to support the Los Angeles Gay and Lesbian Center’s Evening With Women, raising almost $500,000 for its many programs, including LGBT youth advocacy and HIV/AIDS healthcare. It coincided with the non-profit establishment’s 40th anniversary, cementing it as a stronghold in the movement toward queer and women’s equal rights.
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by SuicideGirls
“The best ideas come from Jack Daniels.”
– Destin Pfaff
“I like horror movies, that’s all I really wanted to do,” said filmmaker turned Millionaire Matchmaker Destin Pfaff when SuicideGirls first spoke to him just over a year ago. “I was so against getting sidetracked. And she sidetracked me – magically,” he said of his reality TV star boss, Patti Stanger. “I love matchmaking, and will always do it,” Pfaff adds, however, 2011 is the year he gets his film career seriously back on track.
His first full-length feature film, Sushi Girl, has just gone into production. Co-written and produced by Pfaff, the title of the film refers to the female (played by newcomer Cortney Palm) that serves as the centerpiece of a reunion dinner for members of a gang who we’re involved in an ill-fated diamond heist.
The cast features an eclectic and surprising mix of names, which includes Mark Hamill, a.k.a. Luke Skywalker from Star Wars, Noah Hathaway, who played Atreyu in Neverending Story, and Sonny Chiba, whose breakout role was that of Takuma Tsurugi in the martial arts classic, The Street Fighter.
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by Blogbot
The much-anticipated SuicideGirls comic is hot off the press, and is available now from the SG store. Set in the near future, it follows a kick ass group of SuicideGirls as they take on an evil religious order that is trying to take over the world and force everyone to live by their oppressive doctrine alone.
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by Michael Marano
“And that’s where you really see where the problems lie…”
– Duncan Jones
Duncan Jones’s debut feature Moon (2009), a retro-1970s science-fiction/art-house epic that ingeniously managed to hit a lot of the same notes that Kubrick and Tarkovskiy hit despite a miniscule budget and having only one principal character (played by Sam Rockwell), nabbed Jones a BAFTA award for Outstanding Debut by a British Writer, Director or Producer and dumptrucks full of other nominations and accolades.
His most recent feature, Source Code (starring Jake Gyllenhaal, Michelle Monaghan, Vera Farmiga and Jeffrey Wright) could be pitched as “Die Hard by way of Quantum Leap served in eight-minute repeating chunks of Groundhog Day.”
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by Aaron Colter
Back in my post about Emerald City Comic Con, I highlighted Rexa a monster pornography art book by Jason “JFish” Fischer, and hoped I’d be able to preview some pages from his upcoming work. Well, Fischer was kind enough to send me a couple pages from a book he’s debuting at the Stumptown Comics Festival in Portland this weekend called Junqueland written by Robin Bogert. He says the story is about “a couple of monsters having tasty fun in a bakery.”
So . . . yeah. Check it out. Shit’s crazy, and as far as I can tell, about some dinosaurs fucking, but it’s probably much deeper than that. Or not. Whatever. Who cares, it’s rad.
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by Ryan Stewart
“There’s much more to the Saw movies than just Jigsaw…” –
– Darren Lynn Bousman
Don’t blame Darren Lynn Bousman for giving me a relatively swift interview – he’s a busy guy. Apart from Saw IV, which he’s currently out doing promotion for, he’s also shooting a film in Toronto called Repo!: The Genetic Opera, and is heavily involved in pre-production for his next film, a remake of the 1981 classic Scanners that will be shooting in Toronto in the coming months.
As if all that isn’t enough, he’s also taking part in preparations for the next Saw film, scheduled to hit theaters in October 2008. He won’t be directing that one, however – three times up to bat is enough. The reigns on Saw V are being handed over to the series’ longtime production designer and second unit director, David Hackl, and how long the gravy train will keep rolling along is anyone’s guess.
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by Ryan Stewart
“There’s no King of Pop, like Michael Jackson, in the punk world.”
– Julien Temple
What would early punk be without its incestuous bickering? It was the initial refusal of Joe Strummer to allow a young Julien Temple into his inner circle in the mid-70s that first pushed the budding filmmaker towards the other great punk originators of the day, The Sex Pistols. That led to the creation of Temple’s two seminal Pistols documentaries, The Great Rock and Roll Swindle (which John Lydon loudly denounced for getting everything wrong) and The Filth and the Fury (made with his involvement and blessing).
When a movie was to be made in the mid-80s about the doomed affair of Sid and Nancy, director Alex Cox chose Strummer to write the film’s theme, much to the shock and chagrin of Lydon. Temple would then go on to record a commentary track for that film, in which he points out everything Cox gets wrong about the Pistols.
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